Jazz Essay, Research Paper

Jazz

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Jazz has been an influence in many artist’s work, from painting to other forms of music.

Jazz is an American music form that was developed from African-American work songs.

The white man began to imitate them in the 1920’s and the music form caught on and

became very popular. Two artists that were influenced by jazz were Jean-Michel

Basquiat and Stuart Davis. The influence is quite evident in many of their works, such

as Horn Players, by Basquiat, and Swing Landscape, by Davis.

Stuart Davis was born in Philadelphia in 1894. He grew up in an artistic environment, his

father was art director of a Philadelphia newspaper, who had employed Luks, Glackens,

and other members of the Eight. He studied with Robert Henri from 1910 to 1913, made

covers and drawings for the social realist periodical The Masses, which was associated

with the Ash-can School, and exhibited watercolors in the Armory Show, which made

an overwhelming impact on him. After a visit to Paris in 1928 he introduced a new note

into U.S. cubism, basing himself on its synthetic rather than its analytical phase. Using

natural forms, particularly forms suggesting the characteristic environment of American

life, he rearranged them into flat poster-like patterns with precise outlines and sharply

contrasting colors.

He later went on to pure abstract patterns, into which he often introduced lettering,

suggestions of advertisements, and posters. The zest and dynamism of such works as

Swing Landscape reflect his interest in jazz, which Davis considered to be the

counterpart to abstract art. Davis is often considered to be the outstanding American

artist to work in a cubism idiom. He made witty and original use of it and created a

distinctive American style, for however abstract his works became he always claimed

that every image he used had its source in observed reality. Davis once said ” I paint

what I see in America, in other words I paint the American scene.”

Stuart Davis’ works of the late 1930’s celebrate the urban and technological

environment and are quite complex and frequently recall Legers’s brightly coloured

geometric forms. Early works depict saloons and ragtime musicians. Titles and images of

his works in the 30’s reflect syncopation and unusual rhythm of jazz, particularly swing

.

Jean-Michel Basquiat was born in 1960, four years before Stuart Davis’ death. At an

early age Basquiat showed an interest and love for drawing. His mother often took him

to The Brooklyn Museum, The Museum of Modern Art, and The Metropolitan Museum of

Art. At the age of seven he and a friend of his wrote and illustrated a children’s book.

Basquiat was inspired by Alfred Hitchcock films, cars, comic books, and Alfred E.

Newman from Mad Magazine. By the time he was seven he was an avid reader of

French, Spanish, and English texts. In his teenage years Basquiat ran away from home

often. He did not like obedience. By 1978 he was in with the “in crowd.” The filmmakers

and artists of New York. He enjoyed doing graffiti work using the name SAMO ( same

old shit ).

Basquiat’s career was divided into three broad phases. From 1980 to 1982 he used

painterly gestures, mostly skeletal figures that signal his obsession with mortality. He

also used figures that represent street existence, such as policeman, buildings, and

graffiti. From 1982 to 1985 he was using more phrases and words in his paintings. They

reveal a strong interest in his black and hispanic identity and his identification with

historical and contemporary black figures and events. The last phase was from 1986

until his death in 1988. His work displays a new type of figurative depiction, using

different symbols, sources, and content. He was seeking a new territory in his work.

When Basquiat’s Horn Players and Davis’ Swing Landscape are displayed side by side it

is quite obvious that they were done by two different artist. In Swing Landscape it is

not obvious that this piece was inspired by jazz, as where in Horn Players the influence

of jazz is evident. These painters have two completely different styles but are inspired

by the same types of things. They are inspired by society and music. They both

appreciate the art value of music, especially jazz.

Stuart Davis’ Swing Landscape is quite colorful and vibrant. The colors give a feeling of

jazz with the use of blues and cool colors. The use of the warm colors shows the

unpredictability of jazz. There are many forms of geometric shapes used in this

painting. The shapes used in this painting again show the unpredictability of jazz, as

well as the vibrancy of that music form. There are not a lot of distinguishing symbols of

jazz in the painting, except for maybe a pair of sunglasses and a metronome in the

bottom left corner. This painting represents the feeling of jazz, even though it is not

evident at first glance. It definitely is a painting that needs to be studied for a while.

The fact that the music is incredibly vibrant and unpredictable is quite noticeable. I can

envision Stuart Davis listening to jazz and swing while painting this. You can see the

notes within the painting. If you listen real carefully you can hear the music.

I find Jean-Michel Basquiat’s Horn Players to be more of a representation of the people

behind the music. Basquiat’s painting has some color in it, but is not vibrant. The colors

almost show the dark and troubled side of jazz. He uses a lot of words and symbols. It

shows his hero Charlie Parker, which is evident by the use of the word “Ornithology”, a

composition by the great Charlie Parker and his colleague in modern jazz, Dizzy Gillespie.

Both of their names show up in the painting. The word ear reminds us that jazz is from

aural/oral roots, more improvised than written down. The word larynx is in honor of the

ability to play full-throated. The painting also praises memorable scatting with the

words ooh shoo de obee. An art historian once suggested that the symbol soap alludes

to being “clean” in black argot, being, in other words, aesthetically impeccable.

Basquiat was very involved in his own celebration of the black man and this is one of

those paintings.

There are similarities between Swing Landscape and Horn Players even though they are

very different pieces. With two different styles the artists are able to show the viewer

the values of jazz. They both appreciate the variance of the music form jazz. A love for

jazz, by the artist, can be seen in both paintings.

Bibliography

Marshall, Richard. Jean-Michel Basquiat. New York: Harry N. Abrams, 1992.

Wasserman, Emily. The American Scene – Early Twentieth Century. New York: Jupiter

Art Library, 1984.

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