Beowulf And Iliad Essay, Research Paper

Beowulf and The Iliad Picture this. Inside the hall, mighty shields and

glistening swords await the visitors? arrival. Skillfully crafted armor

decorations proclaim great battles and fierce hunts. The prevailing warrior

ethos and his manly power are evident throughout. It is these strong patriarchal

images which gave birth to two epics from two totally different cultures: The

tale of Beowulf from Scandinavia and The Iliad from Greece. To better understand

the works themselves and their parallels, it is best to first define an epic. In

order to be considered an epic, there are certain qualifications and standards

that a piece of literature must meet. These epics are long poems that were

originally expressed orally and later were put into writing. Both stories tell

the tale of brave young heroes, always believing that their fight, their cause,

is the true cause. In both stories, the heroes understand the role of fate. In

Beowulf, the hero of that name understands that the monster Grendel may end his

life, but is not deterred. He is not aware of his destiny, but realizes without

qualms that if Grendel does kill him, then that was his time to die. In Iliad,

both Hector and Achilles are keenly aware that their lives will end in battle.

Although there is an emotional struggle in these characters not seen in Beowulf,

their knowledge of their own fates does not stop them from fighting. This is

what we might call bravery today, but in the past it was better thought of as a

?warrior code?. And in both stories, it is not fate that matters in the end,

but glory. The attitude is that if death shall come, so be it. But better to die

fighting, immortalized in glory. The hero code itself is based on patriarchal

injunction. In Beowulf, the first character introduced in the prologue is the

king Shield Sheafson, who bears the name of the founder of the Danish nation,

making him a sort of father to his kingdom. The prologue of Beowulf takes on an

Old-Testament form of sorts, introducing the characters by their lineage. Shield

is father to Halfdane, who is father to Hrothgar, one of the main characters in

Beowulf. The hero himself makes his introduction on the Danish shore by saying,

?We belong by birth to the Geat people and owe allegiance to Lord Hygelac. In

his day, my father was a famous man, a noble warrior-lord named Ecgtheow?

(260-263). Like Beowulf, warriors in Iliad are introduced by their lineage. The

first line begins, ?Sing, goddess, the anger of Peleus? son

Achilles??(1,1). By this opening, we see how important a father?s name is

in describing the identity of the hero. In book 3 there is an intervention by

Aphrodite. ?But Aphrodite caught up Paris/easily, since she was divine, and

wrapped him in a thick mist/ and set him down again in his own perfumed

bedchamber?(379-382). Aphrodite?s way of saving Paris? life ruins his

reputation, and in the long run she has done a greater wrong than if she had let

him die. She has taken away Paris? chance to prove himself as a warrior, and

live up to the paternal injunction. Although Homer presents these characters

which are opposing the heroic code, these counter-voices are only vehicles by

which the making of the hero is solidified. However, Beowulf also has characters

who do not abide by or live by the paternal warrior ways. Unferth, for example,

is a low man who does not sit high with the warriors, but crouches at the

king?s feet. He is a jealous Iago who does not rejoice at Beowulf?s

presence. ?Unferth, a son of Ecglaf?s spoke contrary words. Beowulf?s

coming, his sea-braving, made him sick with envy? (500-502). In this respect,

Unferth is as foolish as Aphrodite and as spoiled as Paris. King Hrothgar is

perhaps the closest comparison to Agamemmnon. Both seem to watch as their men do

all the fighting (and all the dying). Although Hrothgar has done well at keeping

his people loyal, he does not live up to the warrior code and is seen as

something less than heroic. Beowulf and Achilles learn to keep their soldiers

loyal, and how to inspire them in battle. After Agamemmnon is forced to return

his trophy bride to her father, the priest, he takes the bride of Achilles, lest

he be without spoils to show his greatness in battle. Achilles is unwillingly

dishonored by his own leader, thus creating a niche in his warrior reputation.

Achilles, in retribution, refuses to fight. Without his leadership in battle

Hector?s forces quickly subdue the Greek army. There are both similarities and

striking differences in Beowulf and Iliad on the role of women. In Beowulf, the

most striking female character is Grendel?s mother, a monster like her son.

She comes out of the hills to avenge her son?s death, and is killed by the

hero. In Iliad, there are plenty of female characters. Helen, Aphrodite,

Minerva, and Juno (Hera) are the most frequently mentioned ones. The mortal

women fought over, both Helen and the trophy-bride of Achilles. However, the

Goddesses seem to always be tricking and going against both armies, and are more

like pests than deities. These examples of the woman?s role in ancient

literature provide a decent picture of how women were seen in the eyes of

warriors: monsters, pests and prizes. This goes back and places even more

emphasis on where the role of the patriarch. Paternal injunction is the cause of

readiness and fearlessness before death, with which the warriors go to war.

Identification with the father and the father?s name is the effect of the

patriarchal society, which created two masterpieces of ancient literature,

Beowulf and the Iliad.