On 1705 ("Volcanoes Be In Sicily") Essay, Research Paper

Sandra Gilbert

Dickinson felt that although "Volcanoes be

in Sicily…I may contemplate / Vesuvius at Home." For as a mistress of the mysteries

of transformation, Dickinson was not just an extravagant miracle-worker, an Empress of

Calvary; she was a magician of the ordinary, and hers was a Myth of Amherst, a Myth, that

is, of the daily and the domestic, a Myth of what could be seen "New Englandly."

In this commitment to dailiness, moreover, even more than in her conversions of an

unidentified figure into a muse and agony into energy, she defines and enacts distinctive

mysteries of womanhood that have great importance not only for her own art but also for

the female poetic tradition of which she is a grandmother.

from "’The Wayward Nun beneath the Hill’:

Emily Dickinson and the Mysteries of Womanhood" in Feminist Critics Read Emily

Dickison. Ed. Suzanne Juhasz. Copyright ? 1983 by Indiana UP.