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Bob Marley Essay, Research Paper
The form of music known as reggae was not always as popular as it has been in
recent decades. Society in the 1960’s and 70’s had problems with racism and
equality causing many people to turn to music as an escape. In Catch a Fire,
by Timothy White, the author tells all about the life of Bob Marley, his
contributions to the music industry and to culture. Bob Marley lived though
harsh times, but grew up to become one of the greatest reggae musicians of
all time. His music was heavily influenced by religious and social issues. In
creating his unique music, he became an icon to future musicians around the
world. Today his music continues to influence many musicians, fans, and
cultures. In 1944 a fifty year old British military man named, Captain Norval
Marley, married an eighteen year old black Jamaican girl named Cadella
Booker. They had a son naming him Robert Nesta Marley, later known as Bob,
who was born on February 6, 1947 in Nine Miles, Jamaica (Lee 1). Captain
Marley seldom saw his son, although he provid
ed some financial support for the family. When Bob was five years old, his
father took Bob away to Kingston, Jamaica’s capital. On the journey there,
“Bob thought of Nine Miles once the most imposing community he could
envision, now reduced to a village in a coffee cup when compared to what was
sprawled out before him” (White 80). He was reunited with his mother about a
year later. Bob and his mother lived in one of the most dangerous slums of
Kingston. Later, these living conditions would inspire Marley to write a
song, called “Concrete Jungle”, which likened the living conditions and
poverty in the slum to the shackles of slavery. This was only one of his many
songs written about freedom from oppression. While Bob lived in the shanty
part of Kingston, he met a boy his age, Bunny Livingstone. Bunny, also a
native of Kingston, established a close relationship with Bob (Nicholas 23).
They sang together everyday after school and made their own instruments. With
their adolescent voices, Bob and Bunny began in 1
960 to build, what one day became the Wailer’s music. In Kingston, musicians
were developing a new sound, consisting of a unique mixture of mento (a kind
of calypso) and rhythm and blues, which would later be called Jamaican Ska.
Bob and Bunny were fascinated with America’s rhythm and blues singers such as
Fats Domino, and Louis Jordan. Most of all, the “Drifters”, and particularly
the “Impressions” had a significant impact on them. Like many other Jamaican
teenagers, Bob found music a relief from the realities of ghetto life. By
spending most of his time writing and practicing songs with Bunny, he
attempted to escape the violent and inequitable world of Kingston (Lee 2).
All Kingston youths were looking for a way out of the endless cycle of
poverty. Crime was a solution for some, known as rudies, but on the violent
Kingston streets it almost certainly ended in their early death. When Bob
attended school, he dreamed of music. However, schoolwork prepared him for
unattainable goals, which would only result in
empty solutions. The life he was destined for in Trench Town had nothing to
do with math and science. By the time he was fifteen, he had quit school, and
had become a welder’s apprentice. He felt this way he could at least bring
some money into the household, but he still dreamed of becoming a musician.
However, no one took him too seriously, because at that time everyone wanted
to become a recording star. The people Bob grew up with in the Kingston slums
were drawn towards Joe Higgs, a popular musician. Higgs like many Kingston
residents, was a member of a religious cult known as Rastafarianism (Nicholas
49). This cult would later influence Bunny and then Bob and their music. Soon
Bob would realize that he could not make any progress with his music without
the help of someone else. He needed someone who could teach him techniques,
like how to project his voice and to hold harmony. Higgs held free music
clinics at his home in the ghetto, only one street away from Bob’s home. So
Bob and Bunny decided to atte
nd his classes, and went just about every day. From a harsh life of poverty,
Bob had managed to escape the violent Kingston world and began developing his
first musical pieces. As his musical abilities developed, Marley was
desperate to make his first album at the young age of 16. Little did he know
that his recording career would lead him on a spiritual journey and make him
the Third World’s first international superstar. In 1962, Bob Marley released
his first album “Judge Not” with Bunny and another friend Peter Tosh. That
year, after Bob released that album, he formed the legendary Wailing Wailers.
They consisted of Bunny Livingstone, Peter Tosh, Joey Brathwaite and Bob
Marley himself. The group was named “the Wailers” because, as Bob explained,
“in those days we were always crying “(Okoampa-Ahoofe Jr. 18). On
February 10, 1966, Bob Marley married a woman named Rita Anderson. The next
day, Bob was on a plane to visit his mother in Delaware after she had written
him several times asking him to come v
isit her in the United States. Although she wanted him to settle there, he
was anxious to get back to the Wailers in Jamaica. So he worked in America
just enough to be able to finance his music, and then he returned to Jamaica
seven months later. The Jamaican ska music had changed by slowing down and
becoming a little more sexual. A couple of the first songs of this type were
“Stir it Up”, and “Back out”, which Bob and the Wailers referred to as
“rude boy music” (Hussy 76). At this time, the rude boy themes of
earlier songs changed to those of social and spiritual issues as the group
became more focused on Rastafarianism. In Jamaica, many individuals were now
practicing the Rastafarian way of life. Bunny had been a Rasta since 1963,
and now Bob and Peter allowed their hair and beards to grow in the Rasta
fashion. In 1967, the Wailers decided to try forming their own record label
“Wail ‘n Soul”, after being pushed around by producers and conflicts
over their developing Rastafarian image. In mid-1967, Bob and
Rita, still newlyweds, moved back to Nine Miles. It was a time of
contemplation and insight for Bob. He spent a great deal of time reading the
Bible and working the land trying to return to his roots for some answers.
During this time Bob told of “his overwhelming desire to write songs, new
kinds of songs that blended his own day to day thoughts and observations with
the folk wisdom of the hills,” and the lessons he had learned as a child
(White 226). In 1968, all three Wailers served jail terms for the possession
of marijuana, which is illegal in Jamaica, but is used sacredly by the
Rastafarians. This jail time gave Bob time to think and reflect on his life,
leading up to some of his best music ever as he learned a lot about
Rastafarianism. He realized that it was not only a religion, but also a way
of life. The Rasta’s way of life stressed eating chemical free foods, natural
foods and having a balanced diet (Nicholas 64). They also believed in using
local herbs and plants for medicinal purposes and to spic
e their foods. In 1970, Bob and the Wailers started another label called Tuff
Gong, and released a few more albums and singles (Oumano 2). That winter, Bob
went to Sweden where he worked on a movie soundtrack, and also did a tour.
Bob and the Wailers continued to record on and off until 1978 under that
record label. At this point, Bob had progressed, from when he started at the
age of 16, to an accomplished world famous musician. As the world heard Bob’s
new style of music, it influenced a new generation of musicians. “A wide
range of young performers from Rage Against the Machine to Wyclef Jean, cite
Marley as a role model” (Farley 80). Marley’s music was becoming very popular
and trends were starting to set in. “Bob noticed that increasing numbers of
ghetto youths were growing their hair, allowing it to twine into long happy
tresses” (White 225). During a concert in New York in 1980, Bob nearly
blacked out. The following morning, he decided to go for a run. He collapsed
and was carried back to the hotel by
his running partner. Within days, Marley was told he had a brain tumor, and
he had suffered a stroke when he was running. He was also told that he
wouldn’t live another month. Everyone, and most of all Bob, was shocked.
Despite his illness, Bob insisted on going to Pittsburgh for the next show.
On the 23rd of September, it was reported that Bob Marley was suffering from
exhaustion and the Tuff Gong Uprising Tour was canceled. Bob was flown from
Miami to New York’s Memorial Sloan Ketting Cancer Center, where he was fully
diagnosed as having brain, lung, and stomach cancer. He was flown back to
Miami where he was baptized as Berhane Selassie in the Ethiopian Orthodox
Church, a Christian church, at Rita’s suggestion. Five days later, in a last
effort to prolong his life, Bob was flown to a controversial treatment center
in Germany were a doctor, Dr. Joseph Issels, had been successful in treating
terminal cases before (White 313). Bob celebrated his thirty-sixth birthday
in February of 1981, in the clinic. When
he arrived to the clinic, Marley had lost all his hair, but now he seemed to
be gaining strength and his hair was growing back. He was, however, still
losing weight. A full six months later, on the eleventh day of May, 1981,
Robert Nesta Marley died with his wife and mother at his bedside. His rise
from the Kingston slums to an influential music star was cut short by this
tragic young death. “Since he passed in 1981, the legendary Robert Nesta
Marley continues to pique the imagination of well meaning people all over the
world” (Okoampo-Ahoofe Jr. 18). Some people saw Marley’s death as the end of
the age of Reggae music. However, they failed to notice that he had become a
legend, and a legend’s influence never dies. Many musicians have turned to
Marley’s music time and time again for inspiration. Paul Simon, Eric Clapton,
the Police, and Stevie Wonder are just a few of the American Musicians who
were strongly influenced by Bob Marley’s brand of reggae. Marley drew from
the myths and tales of the Caribbean, t
he wisdom and fire of the Old Testament, and the dirt streets of the Jamaican
slum of Trench Town to create this reggae music, that rang with poetry and
prophecy (Manley 35). In less than twenty years, Jamaica’s popular music has
emerged from cultural confinement. Today, in many cities around the world,
reggae is still one of the most popular types of music. Raised on hard times
and hungry living, Bob Marley never became embittered by the permanent trauma
of poetry. He turned hard times into a steely defiance and a zeal to succeed
no matter what the odds (Farley 80). From the very beginning his songs
expressed his most passionate concerns, creating a new style of music.
“Nearly years after his passing Marley is recognized by urban and other
pop audiences as the world’s greatest roots artist” (Oumano 1). Bob Marley
made great contributions to the Rastafarian culture and brought up the reggae
style of music. For all of these incredible efforts and contributions, the
world will never forge
Bibliography
Farley, John. “Marley’s Ghosts.” Time. 29 Nov. 1999: p 80. Hussy, Dermott.
Bob Marley: Reggae King of the World. California: Pomegranate Communications,
1984. Lee, Taylor. “Roots, Rasta, and Reggae: featuring Bob Marley.” Online.
Internet. http://webpages.marshall.edu/ lee18/bob2.htm (9 Mar. 1999) Manley,
Michael. “Bob lives: Reggae and revloutinary faith, the role of Bob Marley.”
Rising Sun. May 1982: p 35. Nicholas, Tracy. Rastafari, A Way of Life. New
York: Anchor Books, 1979. Okoampa-Ahoofe Jr., Kwame. “Bob Marley – The
Spiritual Essence of Reggae.” New York Amsterdam News. 30 Dec. 1999: p 18.
Oumano, Elena. “Marley tribute features ‘duets’.” Billboard. 23 Oct. 1999: p
1-3. White, Timothy. Catch a Fire The Life of Bob Marley. New York: Henry
Holt and Company, Inc., 1983.