Реферат на тему Jane EyreBronte
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Jane Eyre-Bronte’s Nature Essay, Research Paper
Jane Eyre – Analysis of Nature
Charlotte Bronte makes use of nature imagery throughout Jane
Eyre, and comments on both the human relationship with the outdoors
and human nature. Webster s Collegiate Dictionary defines “nature” as
“1. the phenomena of the physical world as a whole . . . 2. a thing’s
essential qualities; a person’s or animal’s innate character . . . 4.
vital force, functions, or needs.” It will be seen how Jane Eyre
comments on all of these.
Several natural themes run through the novel, one of which is the
image of a stormy sea. After Jane saves Rochester’s life, she gives us
the following metaphor of their relationship: “Till morning dawned I
was tossed on a buoyant but unquiet sea . . . I thought sometimes I
saw beyond its wild waters a shore . . . now and then a freshening
gale, wakened by hope, bore my spirit triumphantly towards the bourne:
but . . . a counteracting breeze blew off land, and continually drove
me back.” The gale is all the forces that prevent Jane’s union with
Rochester. Later, Bront , whether it be intentional or not, conjures
up the image of a buoyant sea when Rochester says of Jane: “Your
habitual expression in those days, Jane, was . . . not buoyant.” In
fact, it is this buoyancy of Jane’s relationship with Rochester that
keeps Jane afloat at her time of crisis.
Another recurrent image is Bront ’s treatment of Birds. We first
witness Jane’s fascination when she reads Bewick’s History of British
Birds as a child. She reads of “death-white realms” and “‘the solitary
rocks and promontories’” of sea-fowl. We quickly see how Jane
identifies with the bird. For her it is a form of escape, the idea of
flying above the toils of every day life. Several times the narrator
talks of feeding birds crumbs. Bront is telling us that this
idea of escape is no more than a fantasy-one cannot escape when one
must return for basic sustenance. The link between Jane and birds is
strengthened by the way Bront writes about poor nutrition at Lowood
through a bird who is described as “a little hungry robin.”
Bront brings the buoyant sea theme and the bird theme together in
the passage describing the first painting of Jane’s that Rochester
examines. This painting depicts a turbulent sea with a sunken ship,
and on the mast perches a cormorant with a gold bracelet in its mouth,
apparently taken from a drowning body. While the imagery is perhaps
too imprecise to afford an exact interpretation, a possible
explanation can be derived from the context of previous treatments of
these themes. The sea is surely a metaphor for Rochester and Jane’s
relationship, as we have already seen. Rochester is often described as
a “dark” and dangerous man, which fits the likeness of a cormorant; it
is therefore likely that Bront sees him as the sea bird. As we shall
see later, Jane goes through a sort of symbolic death, so it makes
sense for her to represent the drowned corpse. The gold bracelet
can be the purity and innocence of the old Jane that Rochester managed
to capture before she left him.
Having established some of the nature themes in Jane Eyre, we
can now look at the natural idea of the novel: the passage
between her flee from Thornfield and her acceptance into Morton.
In leaving Thornfield, Jane has severed all her connections; she has
cut through any umbilical cord. After only taking a small
parcel with her from Thornfield, she leaves even that in the
coach she rents. Gone are all references to Rochester, or even her
past life. A “sensible” heroine might have gone to find her
uncle, but Jane needed to leave her old life behind.
Jane is seeking a return to the womb of mother nature.
We see how she seeks protection as she searches for
a resting place. It is the moon, part of nature,
that sends Jane away from Thornfield.
Seeing herself as unfaithful, Jane is seeking an existence
in nature where everything is simpler. Bront was surely not
aware of the large number of species of bird that practice
polygamy. While this fact is irrelevant to the novel,…
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