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Cloning 2 Essay, Research Paper
Cloning
Of all the terms coined by scientists which have entered popular vocabulary, ‘clone’ has
become one of the more emotive. Strictly speaking a clone refers to one or more offspring
derived from a single ancestor, whose genetic composition is identical to that of the
ancestor. No sex is involved in the production of clones, and since sex is the normal means
by which new genetic material is introduced during procreation, clones have no choice but
to have the same genes as their single parent. In the same way, a clone of cells refers
simply to the descendants of a single parental cell. As such, adult organisms can be viewed
as clones because all their parts stem from the single cell which is the fertilised egg.
Likewise, many tumours are clones, derived from one aberrant cell which no longer obeys
the normal rules of growth control. The offspring of organisms which reproduce asexually,
like corals, are also clones; as are identical twins produced by the natural, or sometimes
deliberate, splitting of a single embryo. Members of a clone are genetically identical and
genetic identity has given cloning an additional more technical meaning: namely the
procedures used to create a new organism whose genetic constitution is a replica of
another existing individual. Such a feat can be achieved by substituting the nucleus, which
contains the genes, from one of the cells making up that individual’s body, for the nucleus
of a fertilised egg.
Since our genes dictate to a large extent what we look like, how we behave and what we
can and cannot do, having identical genes, as identical twins do, ensures something more
than mere similarity. Novelists and film makers have not been slow to exploit the imagery
afforded by cloning. Limitless numbers of identical beings manufactured from existing or
previous generations has obvious dramatic potential, although seldom of a reassuring
nature. Clones traverse the cinema screen as crowds of dehumanised humans destined for
monotonous drudgery, as invincible armies of lookalikes from outer space, as replicas of
living megalomaniacs and, in the ultimate fantasy, as the resurrected dead – troupes of little
Hitlers and herds of rampaging dinosaurs. Of course, this is science fiction. Nonetheless
there is just a whiff of plausibility, a whisker of scientific credibility; enough to plant an
indelible vision of what might be, or even what could be.
So it is easy to understand why the arrival earlier this year of Dolly, the sheep developed
from an egg whose own genes had been replaced by those from an adult udder cell, was
seen as the first incarnation of a sinister future. Dolly was a clone of the sheep (her genetic
mother) who provided the udder cell. The package of genes in the nucleus of that udder
cell contained exactly the same repertoire of genes as all the rest of her mother’s cells and
so Dolly’s genetic makeup was to all intents and purposes identical to her mother’s. No
sperm had had the opportunity to add its genetic pennysworth. However, there was
nothing radically new, neither technically nor conceptually, in the way in which Dolly was
made. Almost all films and documentaries on cloning still show the same footage, produced
more than twenty-five years ago during unsuccessful attempts to clone rabbits, of a nucleus
being injected into an egg. What was novel about Dolly was that she was the first
unequivocal mammalian clone. Lower vertebrates had been cloned in the early 1960s
when it was shown that a nucleus taken from an adult frog cell transplanted to a frog egg
whose own nucleus had been destroyed was able to direct the development of that egg
into a swimming tadpole. Indeed, it was this experiment that first indicated that the genetic
content of all our cells, despite the profound differences between a skin cell and kidney
cell, must be more or less the same and retain all the genetic information necessary for an
egg to develop into a whole organism.
While cloning can offer the scientist important answers to fundamental questions about our
genes, it has a much older and very natural history which long precedes the sophistications
of the modern laboratory. The word ‘clone’ comes from the Greek klwn, meaning twig,
and there is a very good reason for this. For example, every chrysanthemum plant you buy
at a Garden Centre is a clone of some distant and probably long dead chrysanthemum
which once supplied a side-shoot for rooting. Likewise, whenever you divide an
overgrown shrub or successfully cultivate a houseplant cutting you are cloning. In each
case you are deliberately propagating a copy of the parent, and eventually over successive
years and many hours in the greenhouse, producing a multitude of plants (clones) all
genetically identical to the prized parent. Elm trees and other suckering plants clone
themselves naturally, sending out subterranean roots from which new plants, of identical
genetic constitution, will sprout. Deliberate cloning is as old as horticulture itself. Thousands
of years before anyone understood the physical nature of heredity, specific genetic
constitutions were preserved through cloning because they bestowed on the plant desirable
qualities such as disease-resistance, high yield and predictable growth. Cloning is as
important to the production of fine wine, the supply of rubber and the fruit harvest as it is to
the variety of an English country garden. Furthermore, natural cloning is not confined to
plants: microbes and some insects frequently propagate themselves by producing
genetically identical offspring without recourse to sex. The toothless mammal, the
armadillo, gives birth not to identical twins but to genetically identical octuplets: every litter
a batch of eight clones. There is nothing a priori unnatural about cloning.