The Taming Of The Shrew: Mistaken Identities Essay, Research Paper

The Taming of the Shrew: Mistaken Identities

Throughout the play “The Taming of the Shrew,” William Shakespeare has utilized

several ingenious techniques resulting in an effective piece of work. One of

the more unique and creative methods is the use of mistaken identity. With the

use of mistaken identity, Shakespeare has successfully given the play an element

of humor from the beginning to the end.

The mistaken identity within the two induction scenes must have been quite

humorous for the upper-class noblemen who watched the play. In Shakespeare’s

time, the upper-class often found their amusement in the poorer, more

unfortunate lower-class. Christopher Sly was no exception. When the lord finds

Sly, a drunk beggar, he immediately plots a practical joke to play on him. The

lord, who is very wealthy and obviously has a lot of time on his hands decides

to treat Sly as a nobleman and see how he reacts. In addition to ordering his

servants to treat Sly as their master, he too pretends to be a servant. The

most amusing part of this induction occurs when Sly becomes convinced that he is

indeed a nobleman. When he first awakes, he thinks that everyone is playing a

joke on him. After some convincing, Sly gives in and believes that he really

was suffering from a long sickness. When Sly asks the page, who is pretending

to be his wife to undress and join him in bed, the audience must have reacted

with loud laughter knowing that his ?wife’ is actually the same sex as he.

Although Sly does not understand the lifestyle of the upper-class, it is quite

obvious that he is enjoying it while it lasts.

There are several cases of mistaken identity present in the subplot which

involves Bianca and her suitors. One humorous situation caused by mistaken

identity arises in Act I, Scene ii, when several of the characters meet each

other. Here, the audience learns how gullible Gremio is when he is tricked by

Lucentio into believing that Lucentio is a schoolmaster. Gremio does not

realize that he is actually giving a fellow competitor an opportunity to court

Bianca. The dramatic irony here is amusing to the audience because they all

know that Lucentio is not going to speak highly of Gremio like he had promised.

Also, when Tranio, pretending to be his master, introduces himself to Gremio and

Hortensio that he too intends to woo Bianca, the two do not realize that Tranio

is just there to draw Bianca’s attention away from them. By doing this, his

master Lucentio will have a higher chance of courting Bianca. Later in the play,

when Lucentio and Hortensio are trying to secretly court Bianca as they teach

her, it is comical the way they become suspicious of each other and get in each

other’s way. It is not long before the both of them realize that the other is

trying to woo her ? not teach her. In Act IV, Scene ii, the audience must have

had a grin on their face as they watched Tranio effortlessly convince the pedant

into pretending to be Vincentio. Tranio makes the pedant believe that he is

being nice and doing him a big favor so that the pedant will not be killed: “To

save your life in this extremity, This favor will I do you for his sake.” The

pedant does not realize that everything Tranio says is false and that he is

being tricked into helping Tranio and Lucentio. The final and most humorous

part of the subplot occurs near the end of the play. Chaotic confusion arises

as all the characters and pretenders meet, and everybody is confused about the

real identity of each other. The humor begins as the real Vincentio meets the

pedant who is pretending to be him. Vincentio then becomes enraged as his son’s

servants, Tranio and Biondello arrive and call him a madman and an impostor. He

begins concluding that his son’s servants had killed Lucentio for his money.

Arguments and accusations emanate between all the characters. Then, when

everything appears to be all tangled up Lucentio arrives and sets everything

straight, ending the entertaining confusion.

The mistaken identity in the main plot between Petruchio and Kate is the

question of who the real shrew is. The audience is first led to believe that

Kate is the shrew because of the way she treated everybody. Also, the comments

and opinions of the other characters describe Kate to be a very stubborn and

negative person. But later, when Petruchio and Kate are married, the audience

soon realizes that the real shrew is Petruchio. By observing the way Petruchio

treats Kate, it can be noticed that she is no where near as shrewish as he.

The mistaken identities used throughout this play have given it a very unique

quality. The audience is no doubt entertained by the confusion and chaos

between the characters. Even in reality, people tend to always laugh at another

person’s confusion. So therefore, if a play is full of mistaken identities,

then the audience watching it will unmistakably be amused and laughing

frequently. William Shakespeare’s play, “The Taming of the Shrew” definitely,

“‘Tis a very excellent piece of work.”

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