Midsummer Nights Dream And Romeo And Juliet Essay, Research Paper

Certain parallels can be drawn between William Shakespeare’s plays, "A

Midsummer Night’s Dream", and "Romeo and Juliet". These parallels

concern themes and prototypical Shakespearian character types. Both plays have a

distinct pair of ‘lovers’, Hermia and Lysander, and Romeo and Juliet,

respectively. Both plays could have also easily been tragedy or comedy with a

few simple changes. A tragic play is a play in which one or more characters have

a moral flaw that lead to his/her downfall. A comedic play has at least one

humorous character, and a successful or happy ending. Comparing these two plays

is useful to find how Shakespeare uses similar character types in a variety of

plays, and the versatility of the themes which he uses. In "Romeo and

Juliet", Juliet is young, "not yet fourteen", and she is

beautiful, and Romeo’s reaction after he sees her is: "O, she doth teach

the torches to burn bright! It seems she hangs upon the cheek of night As a rich

jewel in an Ethiop’s ear Beauty to rich for use, for the earth too dear!"

Juliet is also prudent, "Although I joy in thee, I have no joy in this

contract tonight. It is too rash, too unadvised, too sudden." She feels

that because they have just met, they should abstain from sexual intercourse.

Hermia is also young, and prudent. When Lysander suggests that "One turf

shall serve as a pillow for both of us, One heart, one bed, two bosoms, and one

troth," Hermia replies "Nay, good Lysander. For my sake, my dear, Lie

further off yet; do not lie so near." Although this couple has known each

other for a while (Romeo and Juliet knew each other for one night when the above

quote was spoken), Hermia also abstains from even sleeping near Lysander even

though she believes he does not have impure intentions. Romeo’s and Juliet’s

families are feuding. Because of these feuds, their own parents will not allow

the lovers to see each other. In the a differnet way Hermia is not allowed to

marry Lysander. Hermia’s father Egeus says to Theseus, Duke of Athens:

"Full of vexation come I, with complaint Against my child, my daughter

Hermia. Stand fourth, Demetrius. My noble lord, This man hath my consent to

marry her. Stand forth, Lysander. And, my gracious Duke, This man hath bewitched

the bosom of my child." Egeus tells the Duke that his daughter can marry

Demetrius, not Lysander. Hermia replies ". . . If I refuse to wed Demetrius,"

Egeus replies "Either to die the death, or to abjure for ever the society

of men." If Hermia does go against her father’s wishes, and weds Lysander,

she will either be put to death, or be forced to become a nun. Both pairs of

lovers also seek help from another. Juliet and Romeo seek Friar Lawrence, and

Lysander and Hermia seek Lysander’s aunt, who lives in the woods near Athens.

Both sets of youths have the same character type. They are young, their love is

prohibited, both women are prudent, and both seek the help of an adult. Yet they

have their subtle differences. For example, Lysander, never mentioned a love

before Hermia. Romeo loved Rosaline, before he loved Juliet. Hermia’s family and

Lysander’s family were not feuding, whereas the Montagues’ and Capulets’ feude

was central to the plot of the play. The stories of "Romeo and Juliet"

and "A Midsummer Night’s Dream" are very different however. "A

Midsummer Night’s Dream" is a comedy. Oberon, king of the fairies, sends a

mischievous imp named, Puck, to play a trick on the queen of the fairies,

Titania, and on a pair of Athenian youth. Puck turns Nick Bottom’s head into

that of an ass (Nick Bottom is the man in the play production within "A

Midsummer Night’s Dream"; he tried to play every part), and places an herb

on Titania that causes her to fall in love with him. This is quite humorous.

However, at the end of the play all the couples are back together, with the ones

they love. Thus Lysander and Hermia do get married. If Egeus had showed up at

the wedding, he could have killed her. Egeus’ dominate nature is his ‘flaw’, and

if he would have attended the wedding, and killed his daughter, this play could

have been a tragedy. Likewise, "Romeo and Juliet", could have been a

comedy. The first two acts of this play qualifies it as a comedy. In act I,

Sampson and Gregory, servants of the Capulets, "talk big about what they’ll

do the Montagues, make racy comments, and insult each other as often as they

insult the Montagues." ("Barron’s, 45). In act II, Romeo meets Juliet.

All is going well until Tybalt, a Capulet kills Romeo’s best friend, Mercutio.

Things go continue to go wrong from here, until at the end of the play Romeo,

thinking that Juliet is dead (she is in fact alive, she took a drug to fake her

death), drinks poison, and when Juliet awakens from the spell of the drug,

seeing her dead lover, stabs herself. If the families’ pride had not been so

great that they would murder one another, or prohibited true love, this play

could have been a comedy. This play is a tragedy, not because one character has

a flaw, but both families have a flaw- pride. Prohibited love, romance,

controlling families, both plays have it all. With a few simple modifications,

"A Midsummer Night’s Dream" could have been a tragedy, and "Romeo

and Juliet" could have been a comedy. Shakespeare however, uses many of the

same character types, young, prudent, rebellous lovers, and controling family

members, in both comedies and tragedies. The end results are character molds,

along with theme molds that can be easily translated into almost any plot, in

any play.