Untitled Essay, Research Paper

Steven Schwartz

Mr. Speight Edna’s Character

The society of Grand Isle places many expectations on its women to belong

to men and be subordinate to their children. Edna Pontellier’s society,

therefore, abounds with “mother-women,” who “idolized their children, worshipped

their husbands, and esteemed it to a holy privilege to efface themselves

as individuals”. The characters of Adele Ratignolle and Mademoiselle Reisz

represent what society views as the suitable and unsuitable woman figures.

Mademoiselle Ratignolle as the ideal Grand Isle woman, a home-loving mother

and a good wife, and Mademoiselle Reisz as the old, unmarried, childless,

musician who devoted her life to music, rather than a man. Edna oscillates

between the two identities until she awakens to the fact that she needs to

be an individual, but encounters the resistance of society’s standards

to her desire.

Kate Chopin carefully, though subtly, establishes that Edna does not neglect

her children, but only her mother-woman image. Chopin portrays this idea

by telling the reader “…Mrs. Pontellier was not a mother-woman. The

mother-woman seemed to prevail that summer at Grand Isle”. Edna tries on

one occasion to explain to Adele how she feels about her children and how

she feels about herself, which greatly differs from the mother-woman image.

She says: “I would give up the unessential; I would give my money; I would

give my life for my children; but I wouldn’t give myself. I can’t

make it more clear; it’s only something I am beginning to comprehend,

which is revealing itself to me.” This specifically contrasts the mother-woman

idea of self-sacrificing for your husband and children. Also, the “something

. . . which is revealing itself” does not become completely clear to Edna

herself until just before the end, when she does indeed give her life, but

not her self for her children’s sake. Although Edna loves her children

she does not confuse her own life with theirs.

Similarly to Edna’s relationship with her children is that with her

husband, Leonce. The Grand Isle society defines the role of wife as full

devotion towards their husband and to self-sacrafice for your husband. Edna

never adhered to the societies definition, even at the beginning of the novel.

For example, the other ladies at Grand Isle “all declared that Mr. Pontellier

was the best husband in the world.” And “Mrs. Pontellier was forced to admit

she knew of none better”. By using words like “forced” and “admit” Chopin

illustrates Edna’s true feelings towards Leonce. That she married him

not because there are none better, but because there are also none worse.

Edna’s leaving Leonce’s mansion is another important detail when

considering her rebellion against the mother-woman idea. By moving to her

own residence, Edna takes a colossal step towards autonomy, a direct violation

of the mother-woman image. Throughout The Awakening, Edna increasingly distances

herself from the image of the mother-woman, until her suicide, which serves

as the total opposite of the mother-woman image.

Adele Ratignolle and Mademoiselle Reisz, the two important female subsidary

characters, provide the two different identities Edna associates with. Adele

serves as the perfect “mother-woman” in The Awakening, being both married

and pregnant, but Edna does not follow Adele’s footsteps. For Edna,

Adele appears unable to perceive herself as an individual human being. She

possesses no sense of herself beyond her role as wife and mother, and therefore

Adele exists only in relation to her family, not in relation to herself or

the world. Edna desires individuality, and the identity of a mother-woman

does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz

offers Edna an alternative to the role of being yet another mother-woman.

Mademoislle Reisz has in abundance the autonomy that Adele completely lacks.

But Reisz’s life lacks love, while Adele abounds in it. Mademoiselle

Reisz’s loneliness makes clear that an adequate life cannot build altogether

upon autonomy. Although she has a secure sense of her own individuality and

autonomy, her life lacks love, friendship, or warmth.

What Edna chooses for her identity is a combination of Adele Ratignolle and

Mademoiselle Reisz. More honest in self-awareness than Adele, more dependent

on human relationships than Reisz.

In The Awakening the woman’s existance intertwines with her maternal

nature. Edna’s sense of herself as a complete person makes impossible

her role of wife and mother as defined by her society; yet she discovers

that her role of mother also makes impossible her continuing development

as an autonomous individual. So her thoughts as she walks into the sea comment

profoundly on the identity problems that women face: “She thought of Leonce

and the children. They were a part of her life. But they need not have thought

that they could possess her, body and soul”. Unable to have a full human

existence, Edna chooses to have none at all.

318