Down At The Dump By Patrick White Essay, Research Paper

‘Down at the Dump’ Patrick White, most noted for his longer works of fiction,

exemplifies his craft of storytelling in his short story ‘Down at the Dump’.

White has dramatized an event in life, such as a funeral, and given us a very

believable insight into our own culture. Some readers will take offence to such

a raw and truthful portrait, while others will find humor and hope in the same

story. White is a writer who crafts a story with such intensity, that at times

it slaps you in the face with the truthful, dirty, honest depiction of his

characters. All of whom we can see something, if not the smallest little detail

of our selves in them. ‘Down at the Dump’ counterpoints two families, and their

journeys on an afternoon. One of the families is off to the funeral of Mrs.

Hogben’s sister Daise. The other family the Whalley’s, off to the Sarsaparilla

dump, for busness and pleasure ‘I thought the beer was an excuse for comin’.’ (Isba

pg.8) ‘Down at the Dump’ is also a modern day Australian Romeo & Juliet, the

forbidden love between Lummy Whalley and Meg Hogben. Both it seems are destined

for more then what is expected of them. The story is also a comment on the staid

middle-class lifestyle, the petty bourgeois existence of the suburbs. The story

is also a comment on the sexually non-conformist such as daise’s character

represents, more about this later. The story is also a comment on standards,

principals, morality, values and judgmental and discriminatory behavior. White

pays attention to the dirty, honest characteristics of human beings, "Her

eyes were that blazing blue, her skin that of a brown peach. But whenever she

smiled, something would happen, her mouth opening on watery sockets and the jags

of brown, rotting stumps." (pg.1) This serves to give the readers a deeper

understanding of the characters right down to the bone. This typical descriptive

passage is common in white’s writing. It cuts to the core of the character,

shedding light on a side rarely taken by an author. A gritty and honest sense of

reality is achieved. "Down at the Dump" is a story revolving around

binary oppositions, a set of contrasts. The two main families, ‘The Hogben’s and

Whalley’s’ are the two main constructs of White’s direct opposition. This

opposition is nowhere more visible then in white’s use of language when giving

his characters a voice. Whites characters speak from the heart. Their own use of

language reflects directly their class and education. For example – the

Whalley’s speak from the heart, with a distinctly working-class accent.

"Ere!?waddaya make me out ter be? A lump of wood." (Isba pg.1) We

get a sense very early in the story, by the way the Whalley’s speak, a direct

reflection of their socio-economic background. White’s use of language when

describing the Whalley’s is derogatory and intentionly off putting. This is

contrasted in direct opposition to the Hogben’s. Who are described through their

slightly more capable use of the English language. This helps enforce them as

being worth more in a snobby middle-class way. This direct opposition is again

contrasted to another level. For although White uses harsh, dirty, honest

language when describing the Whalley’s, we cannot help but feel empathy with

them for their honesty. The Whalley’s seem truthfully real and direct people,

yet crass and crude on the outside. This is the opposite for the Hogben’s. The

Hogben’s use of speech is much more educated. Although they are described with

nice, fluffy, sensitive language, I am filled with contempt for them. Meg being

the exception she is one of white’s poetic seers; someone who is destined for

more. The domestic abodes of the two families are also a symbolic representative

of their different socio-economic position and different way of life. Our story

takes its journey to the funeral and the dump respectively where towards the end

of the funeral serves daise rises from the grave to relinquish her thoughts and

feelings. It is about here in the story that the passage I will be discussing

indepth occurs. It is through Daise Morrow that Patrick white chooses to make

social commentry through his authorial voice. The ideological concerns of the

story are quite clear in this passage. The passage I will be referring to starts

midway down page 16 ‘Even if their rage grief, contempt, boredom, apathy, and

sense of injustice had not occupied the mourners?to?as she got in side the

car, and waited for whatever next.’ (Pg.16-17) The passage I will now be

examining starts with a comment by white’s authorial voice. The omniposent

narrator ‘Even if their rage grief, contempt, boredom, apathy, and sense of

injustice had not occupied the mourners?’ this is a direct comment that the

religious proceedings, was not in the forefront of the guests. It seems that

this sermon from the dead is falling on def ears all to caught up in their own

hypocrisies and superficialities. White is commenting here that the townspeople,

disconcerted by the death of the " loose woman in flora cotton." are

more concerned with their own position in society, and how people view

themselves and others view them. White arranges the framework of the story

around a shifting Point Of View. The story moves from the Whalley’s perspective,

to the Hogben’s. From there it moves on to a family of no real importance,

Horrie and Georgina Last, shifting back and forth until the resurrection of

Daise Morrow. White cleverly uses this technique of each family commenting on

the other, to give the reader valuable insights and help the reader empathize.

However we must not for get that in doing so White is in some way controlling

how the reader interprets each character, everyone brings their own experiences

to every story they read. One of the more significant ideological concerns White

chooses to comment on is that of sexuality, intimacy and love, as being a social

construct. We observe this through glimpses of this certain behavior in each

family. The Hogben’s are shallow, anal people. This is no more evident then when

Les reminisces about pushing up against Daise in his hallway, denying there was

any sexual intention what so ever. We as reader can make up our own minds about

that. Daise’ rise from the grave is significant to white’s concerns about

intimacy, about people following their hearts. Daise, White’s heroin or mystic

seer, has a will to create her own freedom, above the social constraints of her

sisters middle-class conformities. This is nowhere more evident then in her

haunting comment from the grave towards the end of the section I’ve been

discussing. "Truly, we needn’t experience tortures, unless we build

chambers in our minds to house instruments of hatred in. Don’t you know, my

darling creatures, that death isn’t death, unless it’s the death of a love? Love

should be the greatest explosion it is reasonable to expect. Which sends us

whirling, spinning, creating millions of other worlds. Never destroying."

(Pg.17) The story finishes with a glimmer of hope. Maybe a budding relationship

between Lummy and Meg, each I feel is destined for something more out of their

lives. A life where honesty, like that of a first kiss, takes precedence over

learned social behaviors. the end.