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Реферат на тему Bobi Yar Essay Research Paper Babi Yar

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Bobi Yar Essay, Research Paper

Babi Yar

by

Yevgeny Yevtushenko

Yevtushenko speaks in first person throughout the poem. This creates the tone of

him being in the shoes of the Jews. As he says in lines 63-64, “No Jewish blood is

mixed in mine, but let me be a Jew . . . ” He writes the poem to evoke compassion

for the Jews and make others aware of their hardships and injustices. “Only then

can I call myself Russian.” (lines 66-67). The poet writes of a future time when the

Russian people realize that the Jews are people as well accept them as such. If you

hate the Jews, he asks, why not hate me as well? True peace and unity will only

occur when they have accepted everyone, including the Jews.

Stanza I describes the forest of Babi Yar, a ravine on the outskirts of Kiev. It was

the site of the Nazi massacre of more than thirty thousand Russian Jews on

September 29-30, 1941. There is no memorial to the thirty thousand, but fear

pervades the area. Fear that such a thing could occur at the hands of other humans.

The poet feels the persecution and pain and fear of the Jews who stood there in

this place of horror. Yevtushenko makes himself an Israelite slave of Egypt and a

martyr who died for the sake of his religion. In lines 7-8, he claims that he still bars

the marks of the persecution of the past. There is still terrible persecution of the

Jews in present times because of their religion. These lines serve as the transition

from the Biblical and ancient examples he gives to the allusions of more recent acts

of hatred. The lines also allude to the fact that these Russian Jews who were

murdered at Babi Yar were martyrs as well.

The next stanza reminds us of another event in Jewish history where a Jew was

persecuted solely because of his religious beliefs. The poet refers to the “pettiness”

(line 11) of anti-Semitism as the cause of Dreyfus? imprisonment. Anti-Semitism is

his “betrayer” (line 12) when he is framed, and anti-Semitism is his “judge” (line 12)

when he is wrongly found guilty. Lines 13-14 claim that even the fine and

supposedly civilized women of society shun Dreyfus because he is a Jew and fear

him like they would fear an animal.

In stanza III, Yevtushenko brings himself to the midst of the pogroms of Bielostok.

He gives the readers the image of a young boy on the floor being beaten and

bleeding while he witnesses others beat his mother. In line 24, he gives the reader

the rationale of the Russians who are inflicting such atrocities on the Jews.

“?Murder the Jews! Save Russia!?” They view the Jews as the curse of Russia;

a Jewish plague that must end in order to save their country from evil. In a way

they think that they are acting in patriotism.

The poet transports us to Anne Frank?s attic in the fourth stanza. He describes to

the reader the innocent love that has blossomed between Anne and Paul. Her love

of the world and life and spring has been denied her (line 30). Yet, she manages to

find comfort for her loss in the embrace of her beloved. In line 33, Yevtushenko

shows the reader Anne?s denial of what is going on around her. She tries to drown

out the noise of the Nazis coming to get her. When her precious spring comes, so

do the war and the Nazis to take her to her death.

Stanza V brings us back to the ravine of Babi Yar. In line 40, the poet chooses to

personify the trees. They “stare down” on him in judgement as G-d would. Line 41

is oxymoronic. There is a silent mourning for the martyred Jews by the air; a force

in nature. The air around Babi Yar howls for the massacre it has witnessed. The

poet himself claims to be “an endless soundless howl/ over the buried” (lines

43-44). He is a mourner for the thirty thousand, but there is nothing that can be

said. He writes that e is every one of thirty thousand and feels their pain and

injustice. “In no limb of my body can I forget.” (line 57). His physical body feels

their pain. “Limbs” depicts an image of mangled bodies in the mass grave of Babi

Yar.

Stanza VI begins with Yevtushenko reminding the Russian people of their ability to

be good hearted and moral. He speaks of “men with dirty hands” (lines 52-53).

Fascists, Nazis whose hands are covered in the blood of the innocent, come to

Russia and cause the Russians to close their magnanimous hearts. The tone of lines

52-54 is cruel and harsh like the actions of the Nazis. These hateful people claim to

bring “the union of the Russian people” (line 59). He makes a point of referring to

these people as “anti-Semites” (line 57) because the Jews are Russians, too. The

Nazis in effect have turned Russian against Russian – hardly a “union.”

In the last stanza, the poet calls for world unity which will only occur when

anti-Semitism has ended. He is not a Jew, yet he equates himself to one. If all

Russians are people, then the Jews are no less Russian or less human than he

himself. If this is the way you treat these Russian people, he is trying to express,

then treat me, a “real” Russian, as you have treated the Russian Jews. Only then

will all Russians truly be united and equal.

Yevtushenko is a supporter of the Jewish plight. He sees the injustice that they

have been subject to and feels responsible for it in a way. He tries to rationalize

why his people, the Russians, have acted so immorally and blames their actions on

the influence of others. He calls to his people to reform; simultaneously urging the

Jews not to blame them entirely for their actions and to show that they do have

natural goodness within them.


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