Bret Harte Essay, Research Paper

Although Bret Harte was an American author who portrayed reckless characters, including gamblers, miners and prostitutes he became famous for his colorful stories about the West, along with short stories and poetry, he is best known for pieces describing the gold rush in the time of the 1800 s

The Harte family made many moves to settle in New York City, and Brooklyn in 1845. Because of the unsteady home Bret Harte s education was spotty and irregular, but he took a love and passion for books and managed to get some verses published at the young age of 11. Nine years later he moved to California and went into mining. In 1857 the Northern Californian a weekly paper, employed him. There his support of Indians and Mexicans proved unpopular; after a massacre of Indians in 1860, which he criticized in his work he found it to his benefit to leave town.

He returned to San Francisco, married and began to write for the Golden Era, which published the first of his Condensed Novels, brilliant parodies of James Fenimore Cooper, Charles Dickens, Victor Hugo, and others. He then became a clerk in the U.S. branch mint, a job that allowed freedom for editorship of the Californian, for which he engaged Mark Twain to write weekly articles.

In 1868, after publishing a series of Spanish legends similar to Washington Irving’s Alhambra, he was named editor of the Overland Monthly. For it he wrote The Luck of Roaring Camp and The Outcasts of Poker Flat. Following The Luck of Roaring Camp, and Other Sketches 1870, he found himself world famous. He furthered his reputation with Plain Language from Truthful James 1870, better known as The Heathen Chinee, a poem that attracted national attention. On it he based his best play, Ah Sin 1877, a collaboration with Twain.

Flushed with success, Harte in 1871 signed with The Atlantic Monthly for $10,000 for 12 stories a year, the highest figure offered an American writer up to that time. Resigning a professorship at the University of California, Harte left for the East, never to return. In New England he was greeted as an equal by the writers Henry Wadsworth Longfellow, James Russell Lowell, Oliver Wendell Holmes, and William Dean Howells, and was lionized and toasted to the point of spiritual and moral breakdown. With personal and family difficulties, his work slumped. After several years of indifferent success on the lecture circuit, Harte in 1878 accepted consulships in Crefeld, Ger., and later in Glasgow, Scot. In 1885 he retired to London. His wife and family joined him at wide intervals, but he never returned to the United States.

He found in England a ready audience for his tales of a past or mythical California long after American readers had tired of his formula. Ing nue of the Sierras and A Prot g e of Jack Hamlin’s (both 1893) are perhaps better than his earlier stories.

Although Bret Harte’s name is identified with Californian life, it was not till he was fifteen that the author of “Plain Language from Truthful James” saw the country of his adoption. Francis Bret Harte, to give the full name which he carried till he became famous, was born at Albany, New York, August 25, 1839. He went with his widowed mother to California in 1854, and was thrown as a young man into the hurly-burly which he more than any other writer has made real to distant and later people. He was by turns a miner, school- teacher, express messenger, printer, and journalist. The types which live again in his pages are thus not only what he observed, but what he himself impersonated in his own experience.

He began trying his pen in The Golden Era of San Francisco, where he was working as a compositor; and when The Californian, edited by Charles Henry Webb, was started in 1864 as a literary newspaper, he was one of a group of brilliant young fellows–Mark Twain, Charles Warren Stoddard, Webb himself, and Prentice Mulford–who gave at once a new interest in California beside what mining and agriculture caused. Here in an early number appeared “The Ballad of the Emeu,” and he contributed many poems, grave and gay, as well as prose in a great variety of form. At the same time he was appointed Secretary of the United States Branch Mint at San Francisco, holding the office till 1870.

But Bret Harte’s great opportunity came when The Overland Monthly was established in 1868 by Anton Roman. This magazine was the outgrowth of the racy, exuberant literary spirit which had already found free expression in the journals named. An eager ambition to lift all the new life of the Pacific into a recognized place in the world of letters made the young men we have named put their wits together in a monthly magazine which should rival the Atlantic in Boston and Blackwood in Edinburgh. The name was easily had, and for a sign manual on the cover some one drew a grizzly bear, that formidable exemplar of Californian wildness. But the design did not quite satisfy, until Bret Harte, with a felicitous stroke, drew two parallel lines just before the feet of the halting brute. Now it was the grizzly of the wilderness drawing back before the railway of civilization, and the picture was complete as an emblem.

Bret Harte became, by the common urgency of his companions, the first editor of the Overland, and at once his own tales and poems began, and in the second number appeared “The Luck of Roaring Camp,” which instantly brought him wide fame. In a few months he found himself besought for poems and articles, sketches and stories, in influential magazines, and in 1871 he turned away from the Pacific coast, and took up his residence, first in New York, afterward in Boston.

“No one,” says his old friend, Mr. Stoddard, “who knows Mr. Harte, and knew the California of his day, wonders that he left it as he did. Eastern editors were crying for his work. Cities vied with one another in the offer of tempting bait. When he turned his back on San Francisco, and started for Boston, he began a tour that the greatest author of any age might have been proud of. It was a veritable ovation that swelled from sea to sea: the classic sheep was sacrificed all along the route. I have often thought that if Bret Harte had met with a fatal accident during that transcontinental journey, the world would have declared with one voice that the greatest genius of his time was lost to it.”

In Boston he entered into an arrangement with the predecessors of the publishers of this volume, and his contributions appeared in their periodicals and were gathered into volumes. The arrangement in one form or another continued to the time of his death, and has for witness a stately array of comely volumes; but the prose has far outstripped the poetry. There are few writers of Mr. Harte’s prodigality of nature who have used with so much fine reserve their faculty for melodious verse, and the present volume contains the entire body of his poetical work, growing by minute accretions during thirty odd years.

In 1878 he was appointed United States Consul at Crefeld, Germany, and after that date he resided, with little interruption, on the Continent or in England. He was transferred to Glasgow in March, 1880, and remained there until July, 1885. During the rest of his life he made his home in London. His foreign residence is disclosed in a number of prose sketches and tales and in one or two poems; but life abroad never dimmed the vividness of the impressions made on him by the experience of his early manhood when he partook of the elixir vitae of California, and the stories which from year to year flowed from an apparently inexhaustible fountain glittered with the gold washed down from the mountain slopes of that country which through his imagination he had made so peculiarly his own.

Mr. Harte died suddenly at Camberley, England, May 6, 1902.