Melville Essay, Research Paper

A Reflection

On Melville’s

Accomplishments

Brad Jones

Ms Carman

Period 6

American Literature

Mellville

“As an author Melville both courted failure and scorned success.”(pg. 613, A

Companion to Melville Studies). How many famous legends in time have existed to

know no fame. How many remarkable artist have lived and died never receiving due

credit for there work. Herman Melville is clearly an artist of words. Herman Melville is

certainly a prodigy when it comes to writing. Herman Melville never received hardly any

credit for any of his works. Melville wrote such novels as Moby-Dick, and Billy Budd.

Melville wrote about things that he knew about. He wrote about his own experiences.

The one thing that he loved, and knew the most about was whaling.

Herman Melville was born in 1819, the son of Allan and Maria Melville. He was

one of a Family of eight children – four boys and four girls – who was raised comfortably

in a nice neighborhood in New York City. Herman Melville came from a famous blood

line out of Albany, NY. Melville’s grandfather, General Peter Gansevoort, was a hero.

Even though the General died six years before Melville was born, Melville still put him

in his book, Pierre.

On the outer side of the blood line there was Major Melville. The Major was a

wealthy Boston merchant who was one of the famous “Mohawks” who boarded the ship

of the East India Company that night of 1773, and dumped the cargo in to the Boston

Harbor. Later Major Melville became the Naval Officer of The Port of Boston, a post

given to him by Gorge Washington. It is like the two blood lines fitted together perfectly

to create Herman Melville. Herman had the strength of the General, and the crazy hart

of the Major.

Herman Melville was “hardly more than a boy” when he ran out to sea after his

fathers death. A young Melville sighed up as a boy on the St. Lawrence to Liverpool and

back to New York. Many of the events that show up in Melville’s Redburn are actuarial

events that happened of his first voyage. After returning home and finding his mothers

family fortune gone, Melville decided to take a journey over land this time to the

Mississippi river to visit his Uncle Thomas. Through out all of Melville’s work the image

of inland landscapes, of farms, prairies, rivers, lakes, and forest recur as a counterpoint to

the barren sea. Also in Moby-Dick Melville tells how he was a “Vagabond” on the Erie

Canal, which was the way Melville returned.

Melville wrote that it was not the lakes or forest that sank in as much as the

“oceanic vastness and the swell of the one and in the wide, slow, watery restlessness,”(pg.

Arving), of the prairies. Some even think of the novel, Pierre, as a “A prairie in print,

wanting the flowers and freshness of the savanah, but all most equally puzzling to find a

way through it.” (Pg. 1, On Melville.) About a year latter Melville signed up as

foremasthand on the whaler Acushnet, which set sail on the third of January, 1841, that

set sail from New Bedford. Many events of his voyage directly correspond with those in

his novel, Typee.

Melville set up residence in the Taipi-Vai valley, which he called Typee. He and

a friend, named Toby Green, struck out on one day’s leave to the interior of the island.

Melville got sick and had to live with a tribe of savages that he found for a month or so.

All this time, Toby had gone to try to get help but was unsuccessful. After a long month

of waiting for Toby, Melville decided to try to escape, and was successful. Melville

illustrated all of these events that happened in his novel Typee. But “Typee is a work of

the imagination, not sober history, and one constantly crosses in it the invisible line

between “fact” and the life of the fancy and memory.”(pg. 61, Arvin)

After Melville’s escape he sighed up on a ship called Lucy Ann. Melville still had

a bad leg from his experiences with the natives. This journey was a short one but none

the lass eventful. The journey was full of different changes in command and mutiny.

These events on the , Lucy Ann, Melville put in to a book he named Omoo. This journey

ended in Tahiti.

After a while in Tahiti, Melville decided to join the crew of the Charles and

Henry. When the Charles and Henry got to the Hawaiian island of Maui the Captain

Coleman discharged him. The events on the Charles and Henry were also to be put in to

text. Melville put this leg of his journey in a novel named Mardi, which Hawthorn

described as, “With depths here and there that compel a man to swim for his

life.”(Hawthorn)

A month after Melville’s arrival in Hawaii, Melville signed on as a crew member

in the US Navy, on board the United States. He sailed on her for fourteen months. On

board the United States Melville got to see Lama, “the city of king’s,” which Melville

called, “the strangest, saddest impression on Melville than anything Melville would ever

see again. It also probably made a bigger effect in all of his writing than any of the rest

of his whaling cruises. Melville never wrote about what ever happened in Lima, the way

that he wrote about the cruises he took around the Southern Pacific Islands, but it is

apparent in all of his works and letter that Lima made a greater impression. “Lima was a

city in whose whiteness and beauty was a latent horror.”(Pg. 71, Arving) Melville began

to think “the world’s one Lima.”

Melville’s homeward voyage on the United States, which Melville started to call

the Never-Sink, became the situation where Melville made a new friendship with a

sailing mate named Jack Chase. This friend for one voyage didn’t no it but was to

become the model character, for one of Melville’s greatest works, Billy Budd, fifty years

latter. Also this last voyage home was Melville’s last days at sea.

“Young as he was-he was only in his mid-twenties-a long period lay before him

during which his life would be quite peculiarly an inward one.”(pg. 121, Arving)

Between the ages of eighteen to twenty-one Melville had gone through enough

experiences to supply him for a lifetime of novels and works. “Melville’s tales and

sketches are a remarkable achievement. That he could do so much in those four years

seems to me astonishing.”(Pg. 271, A Companion to Melville Studies). From these

experiences Melville wrote many works, just to name a few famous ones; are first

Redburn, then Typee, Omoo, Moby-Dick, Mardi, and White-Jacket. Also from these

experiences Melville began to write travel narrative. “Into the short space of four or five

years Melville had crammed more “experience,” more sheer activity, more roughing of it,

than all but a few modern authors.”(pg. 121, Arving)

Melville had written seven books in the seven years following is arrival home.

Also, one of those book was one of the “highest order.” It is truly amazing that after all

that he had been through in his voyages, Melville still had enough in him to write seven

consecutive excellent novels. Melville’s unexpected sudden success as an author

surprised not only the literary society, but also Melville just as much. This success also

threw him into the literary society. Melville had longed for some literate companionship

in his time away from home. In Melville’s New York home he built an excellent library

of contemporary writers and old books.

No book before Melville’s time compares in form with Moby-Dick. It is a work of

art that has simply amazes literary scholars sense it first was published. In Melville’s

time most had absolutely no idea of what to think. One of the keys to Melville’s structure

is that from the beginning to the end of the voyage of the Pequod we are reminded over

and over again that the voyage us fated to a catastrophe. The meaning of Moby-Dick is

so involved and complex that very few critics would agree upon a single interpretation of

any events or symbolism in the novel. Many critics suggest that the meaning of

Moby-Dick is a way to show the meaning of the universe as opposed to mans desire to

see only one meaning in any one thing. He shows this by showing that man’s eyes are

located so that he is always focusing upon one single object. Where as the whales eyes

are on opposite sides of his head. So that the whale can focus on two different objects at

any time. Another example of this idea is the coffin – Life-buoy motif. This single object

is first an coffin for Queequeg, then becomes a canoe, storage chest, a work of art and

religion, then a life-buoy which save Ishmael’s life. Thus one should not put one

meaning in to an object, for that person could find much more use if they stay open

minded.

“How long, when Melville settled down to write his “whaling voyage,” the

conception of Moby-Dick been present to his mind it is impossible to say.”(Pg. 143,

Arving). In the way that Melville wrote his first stories, one after another for seven years,

just after he had arrived home should make one wonder. It would probably make one

wonder whether when he arrived home all of what he had gone through had just exploded

on to paper. Or that in his time at sea he had actually thought up all of these books and

when he got home he was finally able to just put them down on paper.

“The spectacle of Melville composing Moby-Dick is the spectacle of an artist

working at the very height of his creativeness and confidence, like a great athlete who has

reached, and only just reached, his optimum in age, in physical vigor, in trained

agility.”(Pg. 217, Arving). This is a good comparison. Take for example Joe Montana.

Montana hit his prime age in the Super Bowl and was unquestionably the best

quarterback ever at that time. But after a few injuries and a few more years added to his

life even the great Montana started to die in football. Even though he wasn’t what he was

before a time he could come out and just for that night prove he really is the best.

The same thing happened to Melville. Melville was pouring out great books for a

few years, and then he wrote Moby-Dick. Moby-Dick is also unquestionably one of the

great novels of all time. Melville put every thing he had into Moby-Dick. Then after

Moby-Dick Melville started to slowdown a little. Not that he died completely but he

wasn’t putting out books like his first few years as an author. He still would write

something just spectacular every once in a while.

“Melville’s text in particular are like another of his most famous images – the

coffin lifebuoy that empress such opposites as life and death.”(Pg. 516, A Companion to

Melville Studies). Melville had his own way of writing. Who else but Captain Ahab

would have said of the Great White Whale “he tasks me, he heaps me”? Who but a true

artiest such as Melville would have invented his own verbs? “That is what a great writer

is, a person who creates a new language.”(Pg. 562, A Companion to Melville Studies). In

the first four or five years Melville wrote almost out of “dejection.” Melville was not as

readily excepted in America as he was in England, or the rest of Europe. Melville drew

only a little criticism in America, but most all of it was extremely positive. Melville was

not one to write of the good in life. Rather he tended to write of the negatives. Nowhere

will one find this more obvious than in Pierre. “Pierre itself, taken as a whole and

considered in strictly literary ground, is one of the most painfully ill-conditioned books

ever to be produced by a first-rate mind.”(Pg. 219, Arving).

After Melville had written Pierre, he had lost all of his “confidence in both man

and nature, he had lost his sense of the tragic.”(Pg. 251, Arving) This way of thought he

lost by the time he composed The Confidence Man. what took it’s place was an

“obsession with littleness and falsity.”(Pg. 252, Arving) Melville wrote The Confidence

Man when he was in his mid-thirties, and was to lead the other thirty-five years in much

the same state. “The image of brightness and darkness, repeated with habitual frequency

in Melville’s writings.”(pg. 607, A Companion to Melville Studies).

The novel The Confidence Man was really the last good novel Melville was to

write until his dying days. Melville would continue to write poems, such as Clarel,

Battle-Pieces, John Marr, and Timoleon, but had no real great accomplishments.

Melville was to slowly die out until he finished one last manuscript, which occupied the

final months of life. This manuscript was that of Billy Budd. That manuscript Melville

got published but never new of it success, because he was to die on September, 28th of

1891, quietly in his bed, and “would be gratified to know that his death went all but

unregarded by the world.”(Pg. 292, Arving).

For the last thirty-five years after Melville’s, The Confidence Man. Melville had

led a quiet unremembered life. After his death all that was written was a small obituary

in the New York Times. “In 1938 Herman Melville had been dead for forty-seven years.

He had died in obscurity and for 3 decades until the publication of Ramon Weavers

biography in 1921 he was known until to a small but growing group of academics and

bibliophiles.”(Pg. 1, James Brarbour) Melville’s work was not even found until 1920, and

Billy Budd wasn’t even published until 1924.

Melville’s greatest accomplishment was no doubt his walling excursions in the

Southern Pacific. This is more than apparent enough in all of his writings. Of most of

his works, most were in junction with his experiences in the Southern Pacific. The

saddest thing about it all is that he died not even knowing of his own accomplishments.

Melville’ death was some what like a coffin floating amongst the waves in the sea, to be

picked up latter.

Arvin, Newton. Herman Melville. Toronto: William Sloane

Associates, 1950.

Bloom, Harold. Herman Melville’s Moby-Dick.

New York, New Haven, Philadelphia: Chelsea

House Publishers, 1986.

Budd, Louis J.; & Cody, Edwin H. On Melville. Durham,

& London: Duke University Press., 1988.

Deedy, John. “Where Melville Wrote.”

The New York Times, (April 25, 1976).

Funke, Luis. “The Theater: ‘Billy Budd.’ ” The New

York Times, (Feb. 28, 1959).

(Unknown). “Herman Melville.” The New York

Times, (Oct. 2, 1891).

Lidman, David. “Herman Melville & Moby Dick.”

The New York Times, (Jan. 18, 1970).

McSweeney, Kerry. Moby-dick. Boston: Twayne

Publishers, 1986.

Miller, James E. Jr. A Readers Guide to Herman Melville.

New York: Octagon Books, 1980.

Murry, John Middleton. “Herman Melville, Who Could

Not Surpass Him Self.” The New York Times, (June 13,

1926).