Tamed Shrews And Twelfth Nights: The Role Of Women In Shakespeare Essay, Research Paper

Tamed

Shrews and Twelfth Nights: The Role of Women In Shakespeare

It is curious to note the role of women in Shakespearean literature. Many

critics have lambasted the female characters in his plays as two-dimensional

and unrealistic portrayals of subservient women. Others have asserted that the

roles of women in his plays were prominent for the time and culture that he

lived in. That such contrasting views could be held in regards to the same

topic is academic. It is only with close examination of his works that we are

able to suppose his intent in creating characters that inspire so much

controversy. Two works, Taming of the Shrew, and Twelfth Night, stand out

particularly well in regards to Shakespeare?s use of female characters. After

examining these two plays, one will see that Shakespeare, though conforming to

contemporary attitudes of women, circumvented them by creating resolute female

characters with a strong sense of self. The Taming of the Shrew is one of

Shakespeare?s most famous plays, and has weathered well into our modern era

with adaptations into popular television series such as Moonlighting. For all

the praises it has garnered throughout the centuries, it is curious to note

that many have considered it to be one of his most controversial in his

treatment of women. The ?taming? of Katherine has been contended as being

excessively cruel by many writers and critics of the modern era. George Bernard

Shaw himself pressed for its banning during the 19th century (Peralta). The

subservience of Katherine has been labeled as barbaric, antiquated, and

generally demeaning. The play centers on her and her lack of suitors. It

establishes in the first act her shrewish demeanor and its repercussions on her

family. It is only with the introduction of the witty Petruchio as her suitor,

that one begins to see an evolution in her character. Through an elaborate

charade of humiliating behavior, Petruchio humbles her and by the end of the

play, she will instruct other women on the nature of being a good and dutiful wife.

In direct contrast to Shrew, is Twelfth Night, whose main female protagonist is

by far the strongest character in the play. The main character Viola, has been

stranded in a foreign land and adopts the identity of her brother so that she

might live independently without a husband or guardian. She serves as a

courtier to a young, lovesick nobleman named Orsino. Throughout the play she

plays as a go-between for him to the woman he loves. In the course of her

service, she falls in love with him. Only at the end, does she renounce her

male identity and declares her love for him. Both plays portray female

characters unwilling to accept the female role of passivity. Katherine rebels

against this stereotype by becoming a ?shrew?, a violently tempered and belligerent

woman. Viola disguises herself as a man for most of the play in order to

preserve her state of free will. Katherine endures reprimands, chiding, and

humiliation in the course of her chosen rebellion. Viola enjoys life and

position as a man, and does not reveal who she is until the last scene of the

play. Curiously enough, both women voluntarily accept the roles that society

would impose on them again at the close of the plays. It is important to note

though, that they freely resume these roles, and that they do so out of their

own sense of self. For each woman, it is a personal choice based on their

desires. In the case of Katherine, she realizes that propriety is as much a

signature of self-respect as respect for others, and she has a husband whom she

need prove nothing to because he already respects her. In the case of Viola,

she is in love with the young Orsino. Having found the man she would be willing

to wed, the pretense of her male identity is no longer necessary, as she

desires to be his wife. Having seen the similarities between Viola and

Katherine, one should take notice that they do have different circumstances

regarding their behavior. The reason for Katherine?s shrewish demeanor is never

given in the play, though many directors have interpreted it as an act to

discourage suitors, much like Hamlet?s feigned madness. Others have attributed

it to sibling rivalry between Katherine and her sister Bianca. In any case, no

clear rationale is given to the audience as to the reason for Katherine?s behavior.

It is enough to say that the actions of her father and sister do not relieve

the situation as well. Throughout the whole of the play, her father treats her

as a commodity to be bargained away to whoever is willing to take her. Granted

that he doesn?t view Bianca as anything more than a commodity as well, but he

clearly favors her over Katherine as unspoiled merchandise. Bianca has a rather

small role to play in the whole of things. She seems to be the archetypal young

lady of quality. Her lack of understanding for her sister causes them to

quarrel and results in Bianca taking the physical worst of it, whilst Katherine

is blamed for her belligerent nature. The entire presence of family in the play

gives Katherine her motivation and explains much of the whole situation in the

dialogue. Contrast this with the isolated Viola. She is shipwrecked and has no

one to connect with at all. Her situation is implicitly understood by the

Shakespearean audience as being an awkward one for a young woman. Lacking anyone

to provide for her, she is forced to take measures to protect herself and her

estate. The understood reason for her deception is to insure for herself, and

it is clearly stated by Viola at the end of Act I .Scene 3. Obviously, the two

women are very different individuals. Yet they share the same characteristics

that Shakespeare imparted onto many of his heroines. Each is resolute and knows

her own mind. Though society demands certain behavior from them, they each

chose to undertake a different path to deny that behavior. The self is promoted

over the public image. Yet, each is not averse to returning to society?s

established roles if it serves their needs and wants. The entire concept of

choice and free-will, of which Shakespeare was so fond of, applies as equally

to his feminine characters as to his masculine. It is this very important point

which establishes the conclusion that Shakespeare did indeed create realistic

and meaningful female characters. Sources Cited Peralta, T. ?The Taming of the

Shrew.? English 28: Shakespeare?s Plays. Cerritos College. Norwalk, CA, Fall

semester 1996.

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